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“The Wasteland” is a tale of the darkness that lurks in isolation
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AURORA’s “The Gods We Can Touch” is an extravagant take on modern pop music
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Students debate whether to return to campus in fall quarter
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“The Deep & Dark Blue” tells a beautiful story centered on transgender identity
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Student-athlete wins Equity Champion Award for work with underserved communities
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MARINA deconstructs society and explores self in indie album “Ancient Dreams in a Modern Land”
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Mask mandate lifted for vaccinated: De Anza students’ thoughts
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DASG overwhelmingly passes Palestinian solidarity resolution
Monte Sprank, La Voz Staff
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Stanford Blood Center returns for quarterly blood drive
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Atharva Salkar, La Voz Staff
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Volunteers passed cherry macarons and Thai boba tea to a line of eager students. Once seated, they were given strips of colorful paper and a manual. The projector played...
A global Lunar New Year perspective
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You do not need a stacked resume to get a job, nor should you be mass applying to positions without care. In 2025 the job market is unrecognizable to even that of 2020 as...
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I won’t apologize for using AI — we’re in a new era
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Romance’s requiem: why accountability matters now more than ever
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Sarah Atito, La Voz Staff
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Driving back home after watching a great movie often feels like the start of a new chapter, the future an infinite expanse of opportunity. “A Complete Unknown” redefines...
Squid Game season two hits fast, hard from start to finish
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A trip to the ice rink can make even falling fun
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Lost: the forgotten masterpiece of the 2000s
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